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Calligraphy in the Ming Dynasty

  • 2008-07-16 13:20:01
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Oracle Inscription Praying for a Bumper Harvest

Oracle Inscription Praying for a Bumper Harvest
It was produced during the Reign of King Wuyi and King Wending in the Shang Dynasty. With the...

Calligraphy in the Pre-Qin Period

Calligraphy in the Pre-Qin Period
The Pre-Qin period is the initial stage of Chinese calligraphy.

Calligraphy from the Three Kingdoms Period to the Southern and Northern...

Calligraphy from the Three Kingdoms Period to the Southern and Northern Dynasties
In the chaos which followed the collapse of the Han Dynasty, China was divided into a number of...

In the early years of the Ming Dynasty, Zhao Mengfu's style sustained its influence. The royal house preferred to choose and elevate officials according to their calligraphic works partially, which resulted in the overwhelming popularity of Tai Ge Ti (a kind of official standardized style, characterized by its neatness and strictness). In the mid-Ming Dynasty, the Wu School led by Zhu Yunming, Wen Zhengming and Wang Chong was once predominant, focusing on the composition of the characters. Dong Qichang, greatly indebted to the ancient masterpieces, created his own simple and elegant style in the late Ming Dynasty.

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